3000 Realms of 10 Worlds

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TRACKS

  1. Revenge of Waldo, Part 1
  2. Balumina Astria
  3. Crystal Blue Cloud
  4. Revenge of Waldo, Part 2
  5. I Will
  6. Saffron
  7. Revenge of Waldo, Part 3
  8. Xaminer
  9. Samba De-Luchia
  10. Revenge of Waldo, Part 4
  11. Evergreen Forest
  12. Kashmir
  13. Revenge of Waldo, Part 5
  14. Tis
  15. Hellavicca
  16. Revenge of Waldo, Part 6

All compositions composed by Rob Hart (Hartkoph Music ASCAP), except “I Will,” by Lennon/McCartney, and “Kashmir” by Bonham/Page/Plant.

Produced by Rob Hart

CREDITS

Rob Hart: Drums, Effects, Percussion, Vocal Konokol, Triangle, Tambourine, Programming, Maracas, Marimba, Hand bells, Timbales; Dumbek, Turkish hand drum, Assorted toms
Kurt Ribak: Acoustic bass (1, 4, 7, 10, 13, 16)
Greg Sankovich: Keyboards, Organ (1, 2, 4, 7, 8, 10, 11, 13, 16)
Sheilani Alix: Vocals (2)
Jason Muscat: 6-string bass (5, 6, 8)
Karl Perazzo: Congas (5)
Dan Zemelman: Piano (3, 9)
Doug Pohorski: Acoustic bass (3, 9, 11)
Eric Levy: Piano, Minimoog, organ (5, 14)
Glenn Berger: Flute, wood flute (5)
Fareed Haque: Acoustic guitar (6)
Jeff Massanari: Electric guitar (6)
Stuart Hamm: Fretless bass (11)
Scott Sorkin: Guitar, Guitar solo (12, 15)
Lorn Leiber: Guitar solo (12)
Kai Eckhardt: Fretted and fretless bass (12)

Recorded and mixed at RHDS Recording, Hayward Highlands, CA, December 1, 2010–April 30, 2012.
Engineering: Derek Jones, Alex Mikes, Peter Krawiec, Andy Martin, Dan Nichols, Jared Burger, Rob Hart
Mixing and digital editing engineers: Derek Jones, Rob Iriartborde, Greg Sankovich, Scott Sorkin, Rob Hart
Mastered at Ken Lee Mastering, Piedmont, CA

Playing an exciting blend of organic traditional jazz, fusion, funk, and Latin music, the San Francisco Bay Area native and Berklee graduate Rob Hart expands his musical palette on his trio’s new album. “The concept of this CD is to divulge many musical styles from different ethnicities and countries around the globe, to explore beyond musical boundaries,”

“Hart works from a world-wise vantage point, liberally utilizing, tweaking, and mixing the stylistic vocabularyand components endemic to various locales. In this respect, he creates somethingof a broad-minded statement that varies from track-to-track but doesn’t feel disjointed; some artists look to create a cohesive-and-consistent sound when they make a record, but Hart intentionally produces something that’s a bit more sprawling in nature.”

–DAN BILAWSKY, All About Jazz