Art of Improvisation


TRACKS

  1. Too High (Stevie Wonder)
  2. It Was a Very Good year (Ervin Drake) (dedicated to John P. Hart)
  3. Silent Love (John Seppala)
  4. Thorn of a White Rose (Jan Hammer) (dedicated to Elvin Jones)
  5. Banana Snug Trail (Rob Hart)
  6. Headhunters Medley (Herbie Hancock)
  7. Mockery (John Seppala)
  8. Leaving (Richie Beirach)
  9. Waltse for Dave (Chick Corea)
  10. Here’s That Rainy Day (Jim Van Heusen)
  11. The Girl From Ipanema (Antonio Carlos Jobim)
  12. Impressions (John Coltrane)

All compositions composed by Rob Hart (Hartkoph Music ASCAP), except “I Will,” by Lennon/McCartney, and “Kashmir” by Bonham/Page/Plant.

Produced by Rob Hart

CREDITS

Rob Hart: Drums, Percussive effects (5)
John Seppala: Piano
Aaron Germain: Acoustic bass (2, 3, 7, 8, 10), Fretless bass (1, 4)
Brad Russell: Electric bass (5, 6, 9, 12)
John Wiitala: Acoustic bass (11)

Recorded live to two track at Club Jazz Nouveau, San Francisco, CA.
Engineered by Gary Hobish, September 3rd, 2003 and January 9th, 2004.
“The Girl From Ipanema” engineered by Bruce David, March 16th, 2004.
Editing by Steve Moon at RHDS Studio, Alameda County, CA.
Mastering by Gary Hobish at A Hammer Mastering Studio, San Francisco, CA.
Design/layout by Brandon Butrick, San Francisco, CA
Photos by Rob Hart
Additional photos by City of Angels Productions

On Art of Improvisation Live, the Rob Hart Trio captures the spontaneity, energy, and deep musical connection that define great live jazz performance. Recorded in front of an audience, the album showcases the trio at its most fearless and expressive, turning improvisation into both conversation and storytelling.

From the first moments of the performance, the chemistry between the musicians is unmistakable. Rob Hart’s playing is confident yet fluid, moving effortlessly between lyrical melodic passages and adventurous harmonic exploration. His improvisations never feel self-indulgent; instead, they unfold naturally, guided by strong musical instincts and a clear sense of structure.

What distinguishes this live recording is the trio’s collective responsiveness. The bass and drums are not merely supporting instruments but equal voices in the musical dialogue. Every shift in tempo, mood, or dynamic feels immediate and organic, reflecting the trust and communication that only seasoned ensemble players can achieve. The group thrives on subtle interaction, often transforming simple themes into expansive and emotionally rich performances.

The live setting adds an important dimension to the album’s appeal. There is an audible sense of risk-taking throughout the recording, with the trio allowing compositions to evolve freely in the moment. At times the music swings with classic jazz intensity; elsewhere it drifts into more modern and atmospheric territory. The audience energy subtly fuels the performances, adding warmth and authenticity without distracting from the musicianship.

One of the album’s greatest strengths is its balance between technical sophistication and emotional accessibility. The trio demonstrates impressive command of jazz vocabulary while remaining deeply connected to melody and groove. Even during extended improvisational passages, the music remains engaging and purposeful.

Art of Improvisation Live succeeds because it embraces the essence of jazz itself: creativity in real time. Rather than presenting polished perfection, the Rob Hart Trio offers something more valuable — honest musical exploration shaped by instinct, experience, and interaction. The result is a vibrant live recording that highlights both the artistry of the individual musicians and the power of collective improvisation.

For jazz listeners who appreciate dynamic ensemble playing and the unpredictable beauty of live performance, Art of Improvisation Live is a rewarding and memorable release.